Impressions in Jazz Orchestra launches 2008-2009 season with an evening of cool chamber jazz
On September 19, 2008, the Impressions in Jazz Orchestra (IJO) will launch its 2008-2009 season. Rebirth of the Cool will feature nine IJO musicians performing cool chamber jazz in the intimate setting of the National Arts Centre Fourth Stage. The concert will begin at 8 PM with a presentation of the Miles Davis classic, Birth of the Cool with compositions and arrangements by Johnny Carisi, Miles Davis, Gil Evans, John Lewis and Gerry Mulligan. Originally performed and recorded in 1948-50, the suite of twelve miniature masterpieces marries a unique blend of jazz and symphonic instrumentation with the music of bebop. The second half of the concert will present a Canadian premiere performance of eight musical vignettes by American composer, Terry Vosbein. Written in 2004, Vosbein’s superbly crafted suite features elements of swing, bebop, latin and contemporary jazz. Also featured will be the crowd-pleaser, Impressions and Fugue in D minor, an arrangement by IJO leader, Adrian Cho, integrating the music of J.S. Bach and John Coltrane. Tickets for Rebirth of the Cool are just $20 and available now in person at the NAC box office or at Ticketmaster outlets, online at the Ticketmaster website, or by phone through Ticketmaster at (613) 755-1111.
The IJO’s five-concert 2008-2009 season promises to be its most exciting yet. On September 27, 2008 the IJO performs with its fourteen-piece repertory orchestra at the Swing Explosion Gala. The Gala is the premiere swing dance event on the Ottawa calendar. The IJO will present three hours of toe-tapping swing dance music from the 1920s to the 1950s.
On December 4, 2008 the IJO will pay tribute to the legendary 1938 “killer diller” performance of Benny Goodman @ Carnegie Hall. A fifteen-piece repertory orchestra will feature clarinet wizard, David Renaud, and vocalist, Jozée Devoua, performing the charts used at the 1938 concert as well as small group jams showcasing the talents of the IJO musicians.
On January 17, 2009, the IJO will break new ground with a daring show in which “free jazz meets chamber music meets improv theatre.” In Whose Solo Is It Anyway? IJO musicians will take direction from audience members in a series of musical improvisation exercises. The lineup of nine musicians will include members of the IJO’s woodwind, brass and rhythm sections along with violinist, Laura Nerenberg, and cellist, Kirk Starkey.
April 16, 2009 is the date for the IJO’s not-to-be-missed season finale. Masterpieces: Ellington + Peaslee will showcase 35 musicians in a night of premiere performances. The evening will begin with the Canadian premieres of two works by Richard Peaslee, a brilliant composer who is as comfortable writing classical music as he is jazz. IJO trumpeter, Rick Rangno, will perform Peaslee’s Nightsongs, a hauntingly beautiful solo trumpet feature composed in 1973. Rangno will be backed by an orchestra of strings and harp featuring many of Ottawa’s leading string players. IJO saxophonist, Mike Tremblay takes the spotlight as a 22-piece neophonic orchestra performs Peaslee’s Chicago Concerto, a sophisticated four-movement baritone saxophone piece written for Gerry Mulligan in 1967. The IJO’s 15-piece repertory orchestra will present a showcase of short works by Duke Ellington and then complete the evening with an Ottawa premiere performance of Ellington’s exhilarating Far East Suite. The nine-movement suite is one of Ellington and Billy Strayhorn’s greatest works, inspired by the travels of the Ellington orchestra to the Middle East and Far East.
Founded in 2005 by Ottawa bassist and conductor Adrian Cho, the IJO features many of Ottawa’s finest jazz and symphony orchestra musicians performing in both small and large ensembles. Performing a huge range of jazz-centric music from 1850 to the present day, the orchestra has garnered critical acclaim for its innovative, educational and highly entertaining presentations. During the summer of 2008, the IJO performed at the invitation of the City of Ottawa, the National Capital Commission and the Ottawa International Jazz Festival where they were featured on the festival’s main stage in Confederation Park. The IJO gratefully acknowledges the financial support of the City of Ottawa.